|
Color Effect Filters
|
|
|
|
Touch of color when white light is not desirable.
(Transmission = 74.48%).
|
|
|
|
(Transmission = 65.4%).
|
|
|
|
Touch of color when white light is not desirable.
(Transmission = 43%).
|
|
|
|
Excellent for general area washes. A basic followspot color.
(Transmission = 37.8%).
|
|
|
|
General area washes.
(Transmission = 25.6%).
|
|
|
|
(Transmission = 14.30%).
|
|
|
|
Darkest of the magenta purple range.
(Transmission = 4%).
|
|
|
|
Highly saturated, good for side and backlighting and non-realistic effect.
(Transmission = 5.86%).
|
|
|
|
A rich lavender which will enhance blue and red costumes and scenic pieces. Excellent for nightime scenes. Rich, vivid accents, good in backgrounds.
(Transmission = 6.6%).
|
|
|
|
(Transmission = 9%).
|
|
|
|
Excellent backlight. Gives good visibility without destroying night illusions.
(Transmission = 22%).
|
|
|
|
(Transmission = 19.85%).
|
|
|
|
A cool lavender which acts as a neutral in a three color area lighting system. Will work well as a wash for drops or set pieces. Tones the space. Effective as moonlight shadows.
(Transmission = 20.14%).
|
|
|
|
(Transmission = 26.42%).
|
|
|
|
Excellent for general area washes. A very light cool tint.
(Transmission = 63%).
|
|
|
|
(Transmission = 54.48%).
|
|
|
|
Useful for very light midday skies. Occasionally used for general cool tint.
(Transmission = 55%).
|
|
|
|
A clean slightly green blue. Good moonlight fill.
(Transmission = 40.93%).
|
|
|
|
A clean slightly green blue. Goog moonlight fill.
(Transmission = 34.75%).
|
|
|
|
(Transmission = 16.87%).
|
|
|
|
(Transmission = 32.4%).
|
|
|
|
(Transmission = 22%).
|
|
|
|
Used for dramatic moonlight effects.
(Transmission = 18.7%).
|
|
|
|
(Transmission = 23.31%).
|
|
|
|
Useful for beams of realistic moonlight.
(Transmission = 30%).
|
|
|
|
Useful for achieving depressed moods and dull skies.
(Transmission = 26.6%).
|
|
|
|
Clean medium blue. Good for sky color or moonlight.
(Transmission = 25%).
|
|
|
|
Excellent sky color. Useful for cyc and border lights.
(Transmission = 20%).
|
|
|
|
(Transmission = 19%).
|
|
|
|
(Transmission = 16.1%).
|
|
|
|
(Transmission = 18.16%).
|
|
|
|
Primary blue. For use with three color light primary system in cyc lighting.
(Transmission = 8%).
|
|
|
|
(Transmission = 13%).
|
|
|
|
(Transmission = 12.42%).
|
|
|
|
Very cold brittle feeling.
(Transmission = 10%).
|
|
|
|
(Transmission = 7.55%).
|
|
|
|
Good for non-realistic night skies.
(Transmission = 3%).
|
|
|
|
(Transmission = 4.17%).
|
|
|
|
(Transmission = 2.7%).
|
|
|
|
(Transmission = 1%).
|
|
|
|
(Transmission = 3%).
|
|
|
|
(Transmission = 2%).
|
|
|
|
A purple-blue, highly saturated, for modeling effects and non-realistic atmospheres.
(Transmission = 1%).
|
|
|
|
(Transmission = 0.92%).
|
|
|
|
Used on foliage in moonlight areas or for creating a mood of mystery. Good for toning scenery painted in blues, blue-greens and greens.
(Transmission = 17%).
|
|
|
|
Good for fantasy, moonlight and water effects.
(Transmission = 35%).
|
|
|
|
Good to create eerie and mysterious effects. Good for night time water effects.
(Transmission = 26.83%).
|
|
|
|
(Transmission = 39.19%).
|
|
|
|
(Transmission = 31%).
|
|
|
|
(Transmission = 37.3%).
|
|
|
|
(Transmission = 7.07%).
|
|
|
|
(Transmission = 4.37%).
|
|
|
|
(Transmission = 10.57%).
|
|
|
|
(Transmission = 30%).
|
|
|
|
Alternate primary where higher transmission is desired.
(Transmission = 15%).
|
|
|
|
Useful for mood, mystery or toning.
(Transmission = 31.1%).
|
|
|
|
(Transmission = 51%).
|
|
|
|
Good for dense foliage and woodland effects.
(Transmission = 64%).
|
|
|
|
Sunny spring mornings.
(Transmission = 69%).
|
|
|
|
Sunny spring mornings.
(Transmission = 79.87%).
|
|
|
|
Deep straw. Good for late afternoon sunsets or firelight.
(Transmission = 69.9%).
|
|
|
|
Much less green than in other straws. Suggests warm sunlight glow when contrasted with ambers and blues.
(Transmission = 70.8%).
|
|
|
|
Warmer straw. Flattering to skin tones.
(Transmission = 82%).
|
|
|
|
Slightly off white. Good for interiors.
(Transmission = 89%).
|
|
|
|
Slightly warm tint for interiors.
(Transmission = 88.73%).
|
|
|
|
(Transmission = 71.34%).
|
|
|
|
(Transmission = 83.91%).
|
|
|
|
A bright, vibrant yellow that evokes exotic sunlight. Use with caution on skin.
(Transmission = 80%).
|
|
|
|
Much less green than in other straws. Suggests warm sunlight glow when contrasted with ambers and blues.
(Transmission = 75%).
|
|
|
|
Sunlight, accents, area lighting with caution to skin tones.
(Transmission = 64%).
|
|
|
|
Warm golden amber with some green. Useful for special effects-candlelight, firelight.
(Transmission = 61.16%).
|
|
|
|
Warm pinkish amber. Afternoon sunset. Good sidelight.
(Transmission = 53.9%).
|
|
|
|
A rosy amber which produces a romantic sunset color. Useful as sidelight or backlight color.
(Transmission = 52.9%).
|
|
|
|
Afternoon sunlight. Lamplight and candlelight. Tends to depress color pigment values.
(Transmission not available).
|
|
|
|
An amber with some green content. A good sunlight transition color that shows the progression of the sun from white or yellow to amber later in the day.
(Transmission not available).
|
|
|
|
Provides a romantic sunlight through windows for evening effects.
(Transmission = 30%).
|
|
|
|
Useful for amber cyc light and late sunsets.
(Transmission = 37%).
|
|
|
|
(Transmission = 19%).
|
|
|
|
Very useful as a backlight. Dramatic specials and firelight.
(Transmission = 24%).
|
|
|
|
Very useful as a backlight. Dramatic specials and firelight.
(Transmission = 27%).
|
|
|
|
(Transmission = 25%).
|
|
|
|
Strong red amber. Excellent for fire effects.
(Transmission = 17.01%).
|
|
|
|
Good for firelight or special effects. Use when red with higher yellow content is needed.
(Transmission = 18%).
|
|
|
|
Very deep amber. Red with a touch of blue.
(Transmission = 20%).
|
|
|
|
(Transmission = 11%).
|
|
|
|
Vibrant red. Good alternative primary.
(Transmission = 9%).
|
|
|
|
(Transmission = 6.81%).
|
|
|
|
(Transmission = 3.31%).
|
|
|
|
(Transmission = 6%).
|
|
|
|
(Transmission = 19.31%).
|
|
|
|
Subdued sunset effect. Useful in backlights. To create seedy atmosphere.
(Transmission = 11.95%).
|
|
|
|
(Transmission = 6%).
|
|
|
|
(Transmission not available).
|
|
|
|
(Transmission not available).
|
|
|
|
Extremely intense, hot pink. Produces strong washes of color for concert and dance. Combined with a complimentary color like turquoise, will create a dynamic, sculptured effect.
(Transmission = 10.6%).
|
|
|
|
A deep, saturated pink created for musicals and specials. Excellent for down and backlighting.
(Transmission = 14%).
|
|
|
|
A vibrant, almost fluorescent pink with a cool component. Traditionally important as a special effects color in the Broadway musical. Follow spot and dance applications as a modeling color.
(Transmission = 20.41%).
|
|
|
|
Musical pink. Lush accents. Very versatile color.
(Transmission = 52.36%).
|
|
|
|
(Transmission = 32%).
|
|
|
|
(Transmission = 35%).
|
|
|
|
Good for general washes and cross lighting.
(Transmission = 46%).
|
|
|
|
(Transmission = 47%).
|
|
|
|
A cool pink excellent for washes and general illumination. A good follow spot color. A component of early morning sunrise.
(Transmission = 60%).
|
|
|
|
(Transmission = 66%).
|
|
|
|
(Transmission = 64.8%).
|
|
|
|
Good where a tint of color is needed. Excellent for natural skin tones.
(Transmission = 78%).
|
|
|
|
A peach amber.
(Transmission = 71%).
|
|
|
|
A clean pale pink; useful as a blush for skin tones.
(Transmission = 73.1%).
|
|
|
|
A pale blush amber for skin tones and backlight.
(Transmission = 69.4%).
|
|
</ |
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}
){kind=small}