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"Creating
an ancient look with modern scenic techniques"
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In this set
for "Romeo and Juliet", the shop was faced with creating three different
textures. This Technote deals with how the textures were created, glazed and finished. |
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determining which textures and surfaces to use in which parts of the set, both artistic
and practical issues were considered. Among the practical issues were how much traffic
that part of the set would handle, whether the scenic paint would adhere to the surface
and whether to carve or apply texture and how to protect these surfaces from the elements. |
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Credits: Romeo
& Juliet, Old Globe Theatre (Festival Stage), San Diego, CA
Steve Rubin: Set Designer, Jim Hiddie: Scenic Charge
Deborah Kaye: Charge Person, Festival Stage, Diane Fargo:
Lead Painter
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